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The brighter surface where the source of light hits an object is known as a highlight, and highlights appear when there is a change of direction of a plane. Artists should observe and imagine what is happening and paint highlights according to what is observed or imagined. Another factor that relates directly to the lighting in paintings is that viewers always centre their interest on the light so artists should consider shaping highlights to lead the eyes of viewers as the artist desires. Controlling tones is much more abstruse and difficult as compared to colours, so artists should try to keep tones simple and work tones out beforehand.

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